Now that I have decided a basic theme or direction for the installation I thought it was a good idea to work with the model of the space. The room is long and narrow with very high ceilings with a black framework of lighting close to the ceiling. I envisioned lighting playing an important role in the work. It’s a lightweight element that can add drama and volume to the space.
My first idea was to use projections to surround the room with obscure writing from the journal pages.
I abandoned that idea because of a lack of knowledge and experience with projection equipment. I also realized I’d need projectors compatible with both EU and US electrical currents — not easy to find, and expensive to ship to New York.
I then thought about ways to hang fabric in space.
This direction felt solid so I began a lengthy search for fabric with transparent characteristics that would also fit within my budget. After hours online and combing through the fabric district in Paris I secured a few that would work as a foundation. I’m using a few different gauze fabrics to begin.
One thing that surprised me about this research was just how long it took — even with so many online resources. I think I had a pretty specific vision in mind and was hunting for the exact right material. Something to note for the next installation: build in time to source materials.
Next was to find a way to have the proper silkscreens made. After hours of research I was fortunate to find a small silkscreening business that could both make my silkscreen and offer me a place large enough to work. That was one HUGE hurdle to get over. Here are some photos of Andre helping me (his arms are longer) and a few of the WIP.
Now that I’ve scaled what feels like the side of a mountain, it’s time for thinking and reflecting about what comes next.
